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Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Explore the range and capability of chosen instrument or voice
  2. Maintain and care for instrument
  3. Use personal practice time to develop skills
  4. Perform short pieces

Required Skills

Required skills

communication teamwork and organisational skills sufficient to

interpret music at a basic level for performance practice

respond appropriately to constructive feedback on own performance

plan own practice time and setskilldevelopment goals

listening skills sufficient to

monitor and adjust intonation as required

use appropriate sound and tone production for instrument or voice

reproduce basic musical patterns

learning skills in the context of

using printed or audio tutoring resources

improving skills through practice

technical and problemsolving skills sufficient to

use a basic range of techniques on chosen instrument

tune instrument to achieve intonation

discriminate pitch and produce the required sound

discriminate rhythm

reproduce musical patterns

Required knowledge

basic understanding of

repertoire relevant to selected instrument or voice

musical terminology

acoustic principles relevant to selected instrument or voice

instrument parts applications range capabilities care and maintenance

performance and instrumental protocol and customs in selected musical style and repertoire

OHS practices procedures and standards as they apply to performance practice

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

demonstrate the physical capacity and coordination required to play or sing simple pieces

respond appropriately to constructive feedback on own performance

Context of and specific resources for assessment

Assessment must ensure

access to relevant instruments and equipment

suitable physical and acoustic environment

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

direct observation of candidate in practice sessions or performances

testimonial from individual tutors

video or audio recordings of candidates performance or practice sessions

written or oral questioning to assess knowledge as listed in the required knowledge section of this unit

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSMLTA Develop and apply musical ideas and listening skills

CUSMLT201A Develop and apply musical ideas and listening skills

CUSMPFA Incorporate music technology into performance

CUSMPF202A Incorporate music technology into performance

CUSMPFA Develop ensemble skills for playing or singing music

CUSMPF203A Develop ensemble skills for playing or singing music

CUSMPFA Play music from simple written notation

CUSMPF204A Play music from simple written notation.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Instruments may include:

acoustic or electronic

voice

stringed

keyboards

wind

percussion

brass

plucked.

Scope of an instrument may include:

tone colour:

instrumental attack

range of accessories

interaction between player and instrument

performer's physique

voice production

sound production

effects

dynamics and volume

pitch, register and tessitura

specific effects available using a range of attacks.

Capability of an instrument may include its:

application to a range of music-making activities and outcomes

scope and potential for solo or group performance

adaptability

size.

Repertoire may include:

short, simple pieces appropriate to the selected instrument

song forms and their relevant components, such as:

riffs

sequences

rhythm patterns

pieces composed for or by the performer.

Accessories may include:

reeds

strings

plectrums

mouth pieces

sticks, mallets, brushes and beaters

stands

pedals

microphones

amplifiers

samplers

mixers

enhancers, such as pitch and tone modulators.

Tuning an instrument may involve:

adjusting:

pitch

tone colour

oral tract, including lip pressure and intensity of breath

position of the diaphragm and larynx

sound production

diameter or other instrumental dimensions, such as:

length of strings

tautness of skins

length of tubing or pipes

embouchure

settings of the instrument and relevant accessories

using:

appropriate tuning options

tuning keys or other tuning implements, such as tuning forks and electronic tuners

pitch pipes

electronic pitch or frequency controls

other musicians.

Relevant personnel may include:

musical director

performer

colleague

mentor

teacher

coach

tutor

family member.

Facility with instrument or voice may include:

physical coordination in one or more of:

tonguing

fingering

plucking

beating

pedalling

vocal technique

attack

dynamics

tempi

intonation

sound production

rhythms and rhythm patterns

chords and chord patterns

melodic patterns.

Exercises may include:

exercises to develop physical coordination in performing music in simple scales, arpeggios, chords or rhythms

exercises to improve breath control

bowing techniques to help coordinate finger action and bowing movements

exercises to develop embouchure

systematic fingering patterns

systematic hand and foot patterns

systematic plucking and picking patterns and exercises

drumming exercises

pedalling exercises

vocal exercises for pitch and articulation.

OHS principles include:

relevant practice or legislation

hearing and noise reduction strategies

length of performance and practice sessions

correct posture.